In the past few days I spotted two bears in the woods, helped run a library program, filled vases with lilacs, planted some pansies, read two remarkable theses and listened to students defend them. I turned in grades. I’ve heard the phone ring a few times and thought: it’s not Pat. I got briefly cheered up reading some letters sent from a school I visited, including one from a boy who began: I love your book so mush.
Trying to work on my novel, I shoved and shuffled words around. I told my husband that it’s hard to get back.
“Does it feel trivial?” he asked.
No. There’s the good news. I suppose this historical fiction could look stupid or irrelevant, but I see something there. It’s just hard to give revision the focus it needs. Grief, like a brown toad squatting on rotting leaves, surprises. Sometimes I feel on top of sadness. I’m old, I’ve been through this before, which must count for something, right? Other times, well, too early one morning I seethed at a telemarketer type, “I can’t find my glasses, the dogs are barking, and…. my friend died.” I burst into sobs.
“I’m sorry, ma’am. Should I take you off the list?”
“YES! We’re already supposed to be off!”
Um, this time might have done the trick.
I don’t think people who dedicate themselves to creative work are all so different from those who don’t. All of us know sadness, for instance. But I guess there’s a difference in that some people find refuge from that in their work, while when we sit down to silence or blank pages, sorrow might sit with us. Today I wished I had a reason to put on teacher-ish clothes and go to school. Doesn’t anyone have a thesis to send me? I’m in an easy-grading mood. But no. I had to get through the day moving around words, mostly cringing. No, no, no, I told my writer self, then went back to my journal. After a while I re-opened my novel, hoping something would snag my attention.
At last, and this was brief, I smiled at a sentence, and told my writer-self: Yes.
Thank you very mush.